11/8/2022 0 Comments Son of cactus albumBut those spending it were reliably left at mysterious loose ends. This was an easy assumption to arrive at if one’s only concern was making money. And folks devoting time, energy and dollars to keeping up with deluxe reissues and box sets in multiple genres understand that extensive annotation of and commentary upon background specifics was/is an expected component in the retail price.Īs a relatively young art form, hip-hop has suffered from experiencing its burgeoning stylistic era(s) in a business setting that wrongly assumed buyers of contemporary music (as opposed to those dropping cash on older material) cared about little more than the sounds, the labels mostly throwing context and packaging to the wayside. 2 is freshly available from Wax Facts Press.Īnybody having spent hours inspecting the treasures in a jazz-centric record shop knows LPs in the multifaceted style regularly came adorned with notes (Hentoff! Williams! Jones!) on the back of the sleeve. Aptly subtitled “more liner notes for hip-hop junkies,” Check the Technique Vol. To get the complete scoop on this and assorted other hip-hop achievements one needs seek out the books of Brian Coleman. SON OF CACTUS ALBUM FULLDue to this stature one might assume the full story behind its creation has long resided in the historical record, but that’s not the case. While “Not the Only One” and “I Could Almost Cry” would no doubt be they choice selections for an appearance on The Grand Ole Opry, it’s the nascent rock & roll energy of “Hey Baby” and the brotherly ballad, “One Day,” that win the day for this old rocker.Released a quarter century ago by the Def Jam label, Brooklyn trio 3rd Bass’ The Cactus Album stands as a hip-hop classic. While both the principals play guitar and sing, they get additional guitar support from older sibling Tyler Burkum, who’s baritone and regular guitar leads embrace the band’s retro ethos, with rich, mellow tones that favor a simple elegance. But smartly, most tracks feature those brotherly harmony lead vocals, with the notable exception of “Everyday,” which features a duet with Jenny Lewis. Generally, the duo leans into a mellower, melodic pop rock sound, with bright guitars, electric piano by Ray Jacildo, and on a handful of songs with a country feel that bring in a light touch of pedal steel, played by Joel Paterson. That cool, comfortable distance from current trends won the band’s song “Mississippi” on David Lynch’s 2017 reboot, and led to working with rockabilly artist JD McPherson, and an invite to write with Dan Auerbach of Black Keys, with two of those songs showing up on the band’s 2019 album, Easy Way. Here on their third studio album, these Minneapolis brothers – Jack Torrey and Page Burkum – who make up The Cactus Blossoms, have thoroughly embraced a retro pop/rock approach that connects most directly with the early rock & roll stylings of Orbison and the Everly’s. It was hits like “Bye Bye Love” and Wake Up Little Susie,” released 65 years ago by The Everly Bros., that showcased the harmony vocals that McCartney and Lennon would imitate on songs like “Love Me Do” and “I Saw Her Standing There” six years later. White musicians like Bill Haley, and singers and songwriters at Son Studios in Memphis were adding country influences to that same amped up conflagration of roots music styles, which found Elvis, Roy Orbison, and Jerry Lee Lewis working with the likes of Sam Phillips. Black artists like Chuck Berry and Ike Turner were plugging in electric guitars and finding a vital connection between R&B, blues, Gospel, and the desire for energetic pop that gave teeny-boppers a groove that worked on the dance floor. The music of the Cactus Blossoms is a reminder that the origins of rock & roll predated the Beatles by at least a decade, and likely much longer.
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